memoria technica - definição. O que é memoria technica. Significado, conceito
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O que (quem) é memoria technica - definição

LEARNING TECHNIQUE THAT AIDS INFORMATION RETENTION
Ars memoriae; Ars Memoria; The art of memory; Mnemotechnics; Mnemotechny; Artificial memory system; Memoria technica; Ars notaria; Ars memorativa; Ars reminiscendi; Artes memorativae
  • ''Ars Memoriæ'', by Robert Fludd
  • One of Giordano Bruno's simpler pieces
  • ''Congestorium artificiose memoriae'', by Johann Romberch
  • Graphical memory devices from the works of [[Giordano Bruno]]

memoria technica         
[L.] Mnemonics, technical memory, artificial memory.
Memoria autógrafa         
Memoria autografa
Memoria autógrafa is an autobiography written in 1829 by Cornelio Saavedra, president of the Primera Junta. Saavedra was of old age by then, and wrote from his perspective the different historical events where he was involved, such as the fight in the British invasions of the Río de la Plata, the suffocation of the riot of Álzaga or the May Revolution.
Mnemotechny         
·noun Mnemonics.

Wikipédia

Art of memory

The art of memory (Latin: ars memoriae) is any of a number of loosely associated mnemonic principles and techniques used to organize memory impressions, improve recall, and assist in the combination and 'invention' of ideas. An alternative term is "Ars Memorativa" which is also translated as "art of memory" although its more literal meaning is "Memorative Art". It is also referred to as mnemotechnics. It is an 'art' in the Aristotelian sense, which is to say a method or set of prescriptions that adds order and discipline to the pragmatic, natural activities of human beings. It has existed as a recognized group of principles and techniques since at least as early as the middle of the first millennium BCE, and was usually associated with training in rhetoric or logic, but variants of the art were employed in other contexts, particularly the religious and the magical.

Techniques commonly employed in the art include the association of emotionally striking memory images within visualized locations, the chaining or association of groups of images, the association of images with schematic graphics or notae ("signs, markings, figures" in Latin), and the association of text with images. Any or all of these techniques were often used in combination with the contemplation or study of architecture, books, sculpture and painting, which were seen by practitioners of the art of memory as externalizations of internal memory images and/or organization.

Because of the variety of principles and techniques, and their various applications, some researchers refer to "the arts of memory", rather than to a single art.